Kenny Chesney’s ‘Cosmic Hallelujah’ Shouts of Artistic Epiphanies

Amanda Nolan

Kenny Chesney remains one of country’s most popular entertainers, selling out stadiums and establishing his laid-back, “no shoes nation” brand. On “Cosmic Hallelujah,” his 17th studio album, he includes a few standard chill-out party songs, but the singer also reveals unexpected sides to create a surprising and textured work.  

The album was originally slated for a summer release under the title “Some Town Somewhere.” Wanting to explore other creative ideas, Chesney pushed back the release until fall and switched the title. “Cosmic Hallelujah” reflects his artistic epiphanies, with themes of gratitude, connection and living in the moment. Chesney has described the work as an expansion on his previous record, “Big Revival.”

“Setting the World on Fire,” a duet with Pink, recently hit No. 1 on Billboard’s Hot Country Song chart, and has crossed over onto adult pop radio. While the duo at first seems like a bizarre mix, the chemistry between the singers is electric. (Country/pop duets seem to be a trend, with Dierks Bentley and Brad Paisley also roping in Elle King and Demi Lovato, respectively, for their current singles). Chesney’s soft, rustic voice and Pink’s passionate vocals are a sexy blend that captures the ultimate high of falling in love. It’s essentially a pop song, but the story of driving with the radio on, staying up all night and indulging in drink is pure country. It just happens to take place on La Cienega Boulevard instead of on a dirt road.

Another surprising move is the addition of songs that lament societal ills, with Chesney searching for connection and spiritual satisfaction. “Noise” is a timely tune about the politicians on TV, the constant presence of cell phones and other electronic distractions that drown out the heart to the beat of a machine-like shuffle. “Rich and Miserable,” another single, could be one of Chesney’s most mature songs. The contemplative lyrics address the search for fulfillment and the American characteristic of constantly wanting more. Even though these two singles play on country radio, they have a U2 sound and sensibility.

The album isn’t all seriousness, though; he does invite the audience to his beach bonfire. “Trip Around the Sun,” an up-tempo toast to living, is classic Chesney, as well as the swinging “Some Town Somewhere.” There are several power party songs that will please his large stadium crowds. “All the Pretty Girls” is a rollicking rock song and “Bucket” is a catchy honky-tonk anthem. “Bar at the End of the World” is reminiscent of “Pirate Flag;” it’s about throwing caution to the wind and sailing away from worries.

Near the end of the album Chesney goes for more traditional country sounds and spotlights personal inspirations and values. In “Jesus and Elvis” (with Allison Moorer as a guest vocalist), he sets the scene at a dive bar on Christmas. The ballad connects two kings, one saving through forgiveness and the other through music. “Winnebago” is a charming love song with a ’70s vibe, and another escapist fantasy. The closing song, “Coach,” a personal tribute to athletic leaders.

“Cosmic Hallelujah” shows that Chesney is not just riding on the fumes of his megastar success. He’s managed to keep up with the younger generation of country artists, and is still willing to stretch himself as an artist. The songs selected as singles show that he’s not playing it safe by sticking with tailgate tunes. “Cosmic Hallelujah” is a shout from someone thankful to be on the planet to connect with others – and to share another beer.

“Cosmic Hallelujah” is available on Apple Music Oct. 28.