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    • ‘Nomadland’ Is an Elegy for an America Where Economic Refugees Hit the Road

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  • Top Stories
  • Film
    • Features
    • Interviews
    • Film Reviews
    • ‘Nomadland’ Is a Powerful Elegy for an America Where Economic Refugees Hit the Road

    • In ‘I Care a Lot,’ Rosamund Pike Is as Wicked as Ever

    • Three’s a Crowd in Absurd Period Comedy ‘Blithe Spirit’

  • Television
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    • Season Reviews
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    • Starz Spins Acclaimed Bestseller ‘The Luminaries’ Into a Visually Enticing Journey

  • Music
    • Features
    • Interviews
    • Album Reviews
    • Concert Reviews
    • Pink Sweats Forges a New Path Through R&B on the Soulful, Eclectic ‘Pink Planet’

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    • Hayley Williams Is in Her Feelings on Delicate ‘Flowers for Vases/Descansos’

  • Theater & Stage
    • Features
    • Theater NYC
    • Theater L.A.
    • Director George C. Wolfe on Honoring August Wilson’s ‘Ma Rainey’s Black Bottom’

    • ‘Giving Voice’ Documentary: Teens Learn the Power of August Wilson’s Words

    • In Spike Lee-Directed ‘American Utopia,’ David Byrne Powerfully Transcends the Stage

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    • Florence, Italy: What to Do and Where to Stay in the Heart of Tuscany

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Pink Sweats Forges a New Path Through R&B on the Soulful, Eclectic ‘Pink Planet’

Jimmy Fontaine

The great virtue of young artists ignoring or being unfamiliar with what came before them is that they don’t know what they don’t know; there are no rules to adhere to, much less…

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‘Medicine at Midnight’: Foo Fighters Keep Carrying Rock’s Flickering Torch

Danny Clinch

You have to admire Foo Fighters’ commitment to rock music at a time when it’s never been less popular — their version of it, anyway. Listening to the band’s new album “…

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Hayley Williams Is in Her Feelings on Delicate ‘Flowers for Vases/Descansos’

Lindsey Byrnes

It may surprise critics of punk-pop chart toppers Paramore to learn that the new solo album by frontwoman Hayley Williams, “Flowers For Vases / Descansos,” is pretty wonderful. Listening to singer-songwriters…

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‘Lost Themes III: Alive After Death’: John Carpenter Continues To Forge Creepy New Musical Territory

Sophie Gransard

Just a few years ago John Carpenter was a horror luminary advancing gracefully into his twilight years, an artist rightfully taking his place among the genre’s standard bearers as descendants and disciples…

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‘OK Human’: Weezer Replaces Guitars With String Arrangements

Brendan Walter

If the last time you listened to Weezer was during the release of the band’s 2001 “Green Album,” then “OK Human” suggests a very smooth and consistent evolution between their third…

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Rhye’s ‘Home’ Brings Sensual, Intimate Vibes Into Our Pandemic Lives

Emma Marie Jenkinson

In the absence of a new album by Sade, Rhye’s “Home” offers a placeholder for lovers looking for her iconic brand of postcoital musical bliss. Relocating in 2019 to L.A.’s storied…

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With ‘Right Now,’ Willie Jones Searches for His ‘American Dream’

Gordon Clark

After decades of white artists building successful careers on the music and iconography of Black innovators, it seems only right that turnabout is fair play. While few and far between, the country genre…

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Zayn Claims ‘Nobody Is Listening,’ Has a Lot To Say About Love, Sex and Himself

Nabi

Media-cultivated solo career narratives become less meaningful when you’ve never heard (or heard of) the pop group or boy band these artists came from. But there’s a reason why these individuals were chosen to perform…

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Jazmine Sullivan Spotlights the Complexities of Being a Modern Woman on Unapologetic ‘Heaux Tales’ 

Myesha Evon Gardner

Jazmine Sullivan has been recording professionally for more than 12 years, a considerable accomplishment given that her breakthrough song, the revenge-themed hip-hop tango “Bust Your Windows,” blew up after an appearance on…

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On ‘McCartney III,’ Paul McCartney Delivers Some Of His Most Understated, Impactful Music in Decades

Mary McCartney

If you haven’t listened to Paul McCartney in a while, now’s a great time to start again. “McCartney III” is indeed a sequel to his 1980 album “McCartney II” — but…

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On ‘Music To Get Murdered By – Side B,’ Eminem Offers Peerless Skill but No New Sides of Himself
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Taylor Swift Surprises With ‘Evermore,’ an Extension of ‘Folklore’
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For Kid Cudi, Mental Health Remains a Musical Cornerstone on ‘Man On The Moon III: The Chosen’
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‘Nightmare Vacation’: Rico Nasty’s Debut Album Brings Real Rage To Hip-Hop Beats
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Shawn Mendes’ Conjures ‘Wonder’ With His Latest Album, but Not Much Depth
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On 'Weird,' Yungblud’s Pop-Punk Pastiche Pays Tribute To His Heroes by Copying Them
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On ‘Plastic Hearts,’ Miley Cyrus Spins the Complexities of Life Into an '80s Rock Love Letter 
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Megan Thee Stallion Takes Her Indefatigable Confidence To New Levels on ‘Good News’
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