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    • ‘Reminders of Him’: Colleen Hoover Adaptation Plays It Too Safe To Be Believable 

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  • Top Stories
  • Film
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    • Film Reviews
    • ‘Reminders of Him’: Colleen Hoover Adaptation Plays It Too Safe To Be Believable 

    • ‘The Bride!’: Jessie Buckley and Christian Bale Have Monstrous Chemistry in Maggie Gyllenhaal’s Message-Heavy ‘Frankenstein’ Reimagining

    • ‘Heel’: A Deceptively Kind Stephen Graham Kidnaps a Wayward Son in Surreal Dark Comedy

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    • ‘DTF St. Louis’: Jason Bateman, David Harbour and Linda Cardellini Form a Love Triangle Tethered by Suburban Frustration and Desire

    • ‘A Knight of the Seven Kingdoms’ Captures the Magic of ‘Game of Thrones’ in a Colorful Quest of Bloody Adventure and Ale-Fueled Humor

    • ‘The Night Manager’: Tom Hiddleston Brings Fresh Style and Intrigue To Long-Awaited Second Season of Acclaimed John le Carré Adaptation

  • Music
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    • Album Reviews
    • Baz Luhrmann’s ‘EPiC: Elvis Presley in Concert’ Brings a Legend’s Stage Presence Into Startling Clarity With Stunning Scale

    • ‘The Moment’: Charli XCX Flirts With Fact and Fiction in Chaotic ‘Brat’ Mockumentary

    • Rosalía Soars Between the Divine and Profane on ‘Lux,’ a Masterfully Operatic Record of Grand Scale

  • Theater & Stage
    • Theater Features
    • ‘Merrily We Roll Along’ Captures the Emotional Joy of Maria Friedman’s Tony-Winning Revival of Sondheim’s Once Unappreciated Opus

    • ‘Wicked: For Good’: Cynthia Erivo and Ariana Grande Soar Through the Emotional Heart of Jon M. Chu’s Dazzling and Darker Second Act

    • ‘Kiss of the Spider Woman’: Jennifer Lopez Casts a Seductive Web in Bill Condon’s Sensuous Update of Tony-Winning Musical of Resistance 

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‘Reminders of Him’: Colleen Hoover Adaptation Plays It Too Safe To Be Believable 

Romance novels, like thrillers, tend to produce authors that become brands onto themselves. In the realm of weepy beach reads, Colleen Hoover currently reigns supreme. Like Nicholas Sparks before her, Hoover knows how…

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‘The Bride!’: Jessie Buckley and Christian Bale Have Monstrous Chemistry in Maggie Gyllenhaal’s Message-Heavy ‘Frankenstein’ Reimagining

The classics can be interpreted in so many different ways. You can keep them set in their original eras or update the story for the present. Maggie Gyllenhaal’s sophomore directorial effort, “The…

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‘Heel’: A Deceptively Kind Stephen Graham Kidnaps a Wayward Son in Surreal Dark Comedy

The times are truly surreal, which is probably why so many filmmakers are channeling social commentary through a twisted lens. “Heel” is the latest film in this vein. The subject in Polish…

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‘Scream 7’: The Return of Neve Campbell Fails to Sharpen a 30-Year-Old Franchise Left on Dull Autopilot 

After controversial changes in cast and switching directors, “Scream 7” arrives with hopes of convincing fans that there is still some life left in this franchise. This year marks three decades since…

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‘Dreams’: Jessica Chastain Loves Coldly in Mexican Auteur Michel Franco’s Unnerving Immigration Allegory

The cinema of Mexican auteur Michel Franco can either go down as a depressing experience or as bold storytelling, depending on the viewer. There are no safe storytelling avenues in his films, and…

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Baz Luhrmann’s ‘EPiC: Elvis Presley in Concert’ Brings a Legend’s Stage Presence Into Startling Clarity With Stunning Scale

Baz Luhrmann’s rapturous “EPiC: Elvis Presley in Concert” brings Elvis Presley the entertainer into stark clarity. Behind all of the famous, debauched, opulent and ultimately tragic stories, there was always this raw…

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‘How to Make a Killing’: Glen Powell Murders for the Money in Bland Oddball Comedy 
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‘Wuthering Heights’: Margot Robbie and Jacob Elordi Lack Steam in Emerald Fennell’s Overwrought Emily Brontë Adaptation
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‘Good Luck, Have Fun, Don't Die’: A Wonderfully Manic Sam Rockwell Is Out to Stop AI in Gore Verbinski’s Deliriously Rowdy Tech Takedown
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‘Crime 101’: Chris Hemsworth Plots a Final Heist in Bart Layton’s Character-Driven Thriller
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