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    • ‘Dead Man’s Wire’: Bill Skarsgård Is Hellbent on Justice in Gus Van Sant’s 1970s-Style True Crime Thriller

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Edvard Munch’s Dark Journey ‘Between the Clock and the Bed’ Is at The Met Breuer

Edvard Munch did not have it easy. That much is clear enough in the Met Breuer’s new retrospective of the artist, “Edvard Munch: Between the…

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‘Michelangelo: Divine Draftsman and Designer’ Opens at The Met

Michelangelo is an artist who needs no introduction, but if he did, the new show at The Met wouldn’t be too shabby.  “Michelangelo: Divine Draftsmen“…

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Yayoi Kusama Has Her Own ‘Festival’ at David Zwirner Galleries

One begins to wonder if the hype surrounding Yayoi Kusama is a piece of art in and of itself, a kind of masterful manipulation of the populace based…

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Cathy Wilkes’ Dark Wonderland at MoMA PS1

The concept of the readymade, an object that is plucked from regular life and, unchanged, made into art simply by saying so. A revolutionary concept initiated into the art world by that rascal…

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‘Avatar: Fire and Ash’: James Cameron Focuses on Pure Spectacle in Third Entry of His Groundbreaking Franchise
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Chloé Zhao’s Luminous ‘Hamnet’ Is a Devastating Shakespearean Experience of Loss and Resilience 
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Stellan Skarsgård, Renate Reinsve and Elle Fanning Form a Powerful Triangle of Yearning and Creativity in Joachim Trier’s Masterful ‘Sentimental Value’ 
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Paul Thomas Anderson’s ‘One Battle After Another’ Is a Feverish Ode to Revolution Propelled by a Sensational Leonardo DiCaprio
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