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    • Chloé Zhao’s Luminous ‘Hamnet’ Is a Devastating Shakespearean Experience of Loss and Resilience 

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‘Miss Saigon’ Brings Love and War to Hollywood Pantages Theatre

“Miss Saigon” is one of the most popular and acclaimed musicals of our time. The winner of three Tony Awards and two Laurence Olivier Awards, the show has…

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Brecht’s ‘The Caucasian Chalk Circle’ Opens at Antaeus Theatre

The Antaeus Theatre Company has gone through many transformations since its inception in 1991. After having relocated to its Glendale, CA location in 2017, it’s continued to present…

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Tony Awards 2019: ‘Hadestown,’ ‘The Ferryman,’ ‘The Boys in the Band’ Win, and Bryan Cranston Takes a Stand Against Prejudice

Charles Sykes/Associated Press

Broadway’s 2018–19 season was one of its most profitable in spite of the high ticket prices and rush hour commute James Corden complained about in the opening number to the 73rd Tony…

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Cirque Du Soleil Goes South of the Border With Surreal ‘LUZIA’

Matt Beard

The colors and surrealism of Mexican cultural and pop art are in vogue these days. Disney and Pixar have scored a massive hit with “Coco,” and now Cirque Du Soleil returns with a…

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‘Kiss Me, Kate’: A Broadway Revival From the Golden Era of Musicals

Community theaters across the world rejoice: “Kiss Me, Kate” is returning to Broadway for a much-talked-about revival. This is a classic musical from the Golden Era of Musicals. Featuring music and lyrics from…

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Where to Have a Laugh: The Best Comedy Clubs in Los Angeles

Los Angeles is known as one of the best comedy hubs in the country. It’s the city where popular comedians frequent sold-out clubs, new faces begin their careers with late night stand-up, and…

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‘Bugonia’: Emma Stone and Jesse Plemons Are an Apocalyptic Riot in Yorgos Lanthimos’ Latest Surreal Vision
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‘It Was Just an Accident’: Jafar Panahi’s Palme d’Or Winner Is a Compellingly Human Confrontation With Iran’s Internal Scars 
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‘The Witcher’: Liam Hemsworth Wields the Sword in a Fourth Season That Widens Its Fantasy Saga
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‘Hedda’: Tessa Thompson Shines Darkly in Nia DaCosta’s Stylized Reinvention of Henrik Ibsen Classic
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